Posts by: Griffin

• Urdhva: Upward
• Mukha: Facing / Looking
• Paschim: West / Behind (Referring to the dorsal or back surface of the body)
• Uttana: Stretched
• Asana: Pose

Urdhva Mukha Paschimottanasana is the twenty-ninth pose of the primary series, and the twenty-fifth seated pose. It prepares the practitioner for Sarvangasana-family poses and helps to build strength and finesse in the musculature of the low belly.

FOCUS ON…

This asana is very similar to Supta Konasana and Ubhaya Padangusthasana.

Study both of its predecessors closely and develop competence before introducing this movement. All the same actions apply. This asana is the most challenging of the three by far.

Once balanced in the state of the asana, the position of the body is an uprooted version of Paschimottanasana. Fold in closely, but keep the gaze upwards. Don’t try to balance delicately; use the strength of the limbs to find and hold the position.

Vinyasa of the Pose

The vinyasa count is the same as Ubhaya Padangusthasana.

The breath is a major ally here. It is important to use the breath and the bandha, and even to exaggerate them. Shyness with the breath makes this vinyasa more challenging than necessary.

From Sat, jump through and land in Dandasana.

Exhaling, keep the hands pressing into the floor by your hips and lay down slowly.

Inhale, reach the arms up overhead.

As the next exhalation leaves the body, lift straight legs off the ground, lift the hips, and place the feet in the hands smoothly.

Inhale, straighten the spine.

Exhale strongly, curl in, and rock forward to balance. Inhale as you find your balance point. Gaze upwards.

Exhale, fold the torso to the legs as in Paschimottanasana. Five breaths here; this is the state of the asana.

Exhale, keep the legs where they are but place the hands on the floor beside the hips. Lift up; take vinyasa.

COMMON MISTAKES

Do not be satisfied with bending the knees or releasing the grip on the toes to rock up. If compromised in that way, the asana becomes largely worthless.

If you’re unable to follow the vinyasa and are tempted to roll into and out of the posture with momentum, place this asana aside for the moment and study previous asana in the primary series more.

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• Ubhaya: Both sides
• Pada: Foot
• Angusta: Big Toe
• Asana: Pose

Ubhaya Padangusthasana is the twenty-eight pose of the primary series, and the twenty-fourth seated pose. This posture, as with Supta Konasana, prepares the practitioner for Sarvangasana-family poses. It also serves to create strength and coordination in the low belly and hips.

FOCUS ON…

This asana is very similar to Supta Konasana. The exit is the only major difference.

Study Supta Konasana closely and have competence with it before introducing this movement. All the same actions apply.

Once balanced in the state of the asana, press away with the legs and resist with the arms. Use this dialogue of opposition to create lift in the spine and heart, as if you could lift your heart up through the space between your arms. The sensation in the torso should be of attempting to backbend, as the low belly curls in around the point of the Bandha to create balance and stability.

Vinyasa of the Pose

The breath is a major ally here. It is important to use the breath and the bandha, and even to exaggerate them. Shyness with the breath makes this vinyasa more challenging than necessary.

From Sat, jump through and land in Dandasana.

Exhaling, keep the hands pressing into the floor by your hips and lay down slowly.

Inhale, reach the arms up overhead.

As the next exhalation leaves the body, lift straight legs off the ground, lift the hips, and place the feet in the hands smoothly.

Inhale, straighten the spine.

Exhale strongly, curl in, and rock forward to balance. Inhale as you find your balance point. Gaze upwards. Five breaths here; this is the state of the asana.

Exhale, keep the legs where they are but place the hands on the floor beside the hips. Lift up; take vinyasa.

COMMON MISTAKES

Do not be satisfied with bending the knees or releasing the grip on the toes to rock up. If compromised in that way, the asana becomes largely worthless.

If you’re unable to follow the vinyasa as described and are tempted to roll into or out of the posture with momentum, place this asana aside for the moment and study previous asana in the primary series more.

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• Chakra: Wheel / Circular
• Asana: Posture

Chakrasana is the method of taking Vinyasa from postures that end in a supine position.

This transition is performed entirely on one exhalation:

First, place your hands by your ears. Towards the end of the exhalation, lift both legs, keeping them straight. Press your head and hands into the floor and flip over, keeping the legs straight to land in Adho Mukha Svanasana (Downward Facing Dog) or Chaturanga.  Traditionally, landing in Chaturanga is preferred, to keep the vinyasa count intact. However, it is more challenging, and so if you’re just beginning, transition from  Adho Mukha Svanasana to Chaturanga to complete the vinyasa.

Chakrasana

A video posted by Ashtanga Yoga Room (@yogawithgriffinamelia) on Jul 16, 2016 at 3:09pm PDT

Rather than trying to tuck the head towards the sternum or “hide” it from the floor, press the head firmly into the ground to help flip over. This asana should be performed smoothly all on one exhalation, not over several breaths.

If this pose is challenging, try placing a couple blankets beneath the shoulders (the hands still go on the floor, not the blankets).

Precautions & Common Mistakes

Performing this asana carelessly or before you’re ready for it is likely to result in aches & pains in the shoulders and neck. It’s always okay to substitute the normal vinyasa for Chakrasana.

• Do not do this if you have a neck or shoulder injury.
• Do not rely on momentum rather than strength to flip over. Your neck will suffer.
• Do not roll to one side or other of your head. This is asana directly along the centerline of the body, not over one shoulder.

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• Supta: Sleeping
• Pada: Foot
• Angusta: Big Toe
• Asana: Pose

Supta Padangusthasana is the twenty-seventh pose of the primary series, and the twenty-third seated pose. It has A and B variations. Though it may appear to be a “flexibility” pose, this is a very strength-based asana. It is one of the few hamstring-strengthening poses in the primary series. Practicing it generates stability in the hamstrings, hips, and low belly.

FOCUS ON…

In ‘A’ Variation

The point of this pose is not to put the right foot on the ground overhead. Even if you possess the requisite flexibility, that is a completely different pattern of movement than is used here. Find the strength of the leg to help lift your torso. The action of the leg is as if attempting to bend the knee, or taking the foot away from the head. That way, your arm can pull against a solid resistance in order to lift; if your leg is “stretching” or floppy, you will have no leverage to lift up.

The straight left leg should press firmly into the ground with the toes pointing straight upwards (rather than rolling to point off to the side).

In ‘B’ Variation

The leg spirals slightly in order to transition to B variation. The toes turn slightly to point towards the ground (external rotation of the femur). Were the foot to touch the ground, the toes would touch first. At that point, should it occur, a counter-twist can be introduced to bring the heel to the ground as well. The right leg should only travel as far as it can without the hips turning: the left hip stays on the ground for the entire movement.

The head turns to face left, away from the foot. Move the head slightly (2-3 inches) to the right before turning so that the spine stays aligned. If you simply roll the head without moving it, the head will travel slightly along the floor (2-3 inches) bringing it out of alignment with the neck and generating unhelpful strain.

Vinyasa of the Pose

From Sat, jump through and land in Dandasana.

Exhaling, keep the hands pressing into the floor by your hips and lay down slowly.

Inhale, lift your right arm until it is perpendicular to the floor. Press your left hand into your left hip. Keeping it straightened, lift your right leg until it reaches your hand.

Exhale, curl in and reach the chin to the shin. Five breaths here, this is the state of ‘A’ variation.

Exhale, put the head back on the floor. Bring the right leg and arm to the side. Turn your head to the left. Five breaths. This is ‘B’ variation.

Inhale, turn the head back to center. Lift the right leg back up to center and curl the spine to bring the head in to touch the shin again; only one breath this time.

Exhale, lay down flat.

Inhale, repeat both variations on left side.

Exhale, take chakrasana to exit.*

*If you’re unfamiliar with chakrasana, or have a neck/shoulder injury, rock up to seated and then jump back to vinyasa.

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• Supta: Sleeping
• Kona: Angle
• Asana: Pose

Supta Konasana is the twenty-sixth pose of the primary series, and the twenty-second seated pose. It is the first introduction to the sarvangasana (“shoulderstand”) pattern of postures.

FOCUS ON…

Follow the vinyasa: the method of entering this asana is important. Many practitioners are tempted to roll into Supta Konasana with momentum rather than strength. Not only does this bypass one of the major purposes of this movement, it exposes the neck to greater risk of injury. This asana must be done correctly; if correct alignment and vinyasa is impossible, further preparation in earlier asana is necessary.

The weight of the body ought to be balanced on the shoulder blades, not on the vertebrae or skull. For this to happen, the shoulder blades must be elevated. (Elevation is the action of shrugging the shoulders towards the ears.)

To ensure this action, the arms should be lifted overhead before rolling back. The arms lengthen and reach back to ensure full elevation of the scapula.

If this is not done sufficiently, the weight of the body and pressure will be placed on the spine, especially the C7 vertebrae, and the posture is deleterious for the health of the spine.

Once balanced, with the hands holding the feet, the balls of the feet and toes should be pressing into the floor. The hips anteriorly rotate to straighten (move towards extension) the spine. This is the action of the sitting bones turning towards the ceiling; the feet come closer to the head. The spine should be in a relatively neutral alignment (except the neck), not deeply flexed.

Press the back of the skull gently into the floor to encourage the natural arch of the cervical spine. This action will lift the chin slightly away from the chest; there ought to be a slight gap between the chin and sternum. The traditional gazing point for this asana is nāsāgre (at the navel). However, spinal alignment is typically improved by gazing towards the eyebrows (bhrūmadhye) for the first few months of practicing this asana.

After five breaths, rock forward while exhaling firmly. Flex the spine, press off with the toes, and use the strength of the hamstrings & legs to rock smoothly. Balance just forward of the coccyx (between the tailbone and sitting bones) for one breath. As you come to the balance point, inhale and lift your chest and straighten your spine to stop your forward movement.

When exhaling to set down, be sure to land on your calves not your heels. If you’re unable to control your landing and bang your heels, instead release your grip on your feet and lower your legs slowly.

Vinyasa of the Pose

The breath is a major ally here. It is important to use the breath and the bandha, and even to exaggerate them. Shyness with the breath makes this vinyasa more challenging than necessary.

From Sat, jump through and land in Dandasana.

Exhaling, keep the hands pressing into the floor by your hips and lay down slowly.

Inhale, reach the arms up overhead, angled approximately 60°.

As the next exhalation leaves the body, lift straight legs off the ground, lift the hips, and place the feet in the hands smoothly. Five breaths here; this is the state of the asana.

Exhale strongly, curl in, and rock forward to balance. Inhale as you find your balance point. Gaze upwards.

Exhale, set down and fold forward.

Inhale, sit up.

Exhale, take vinyasa.

ALTERNATIVES & SOLUTIONS

If you’re unable to follow the vinyasa as described, don’t try “workarounds” here. Neck injury is likely for unprepared practitioners; at the very least, if not injurious, the asana will be dull and pointless.

Work instead on preceding asana, especially: Surya Namaskara, lifting for the connective vinyasa, Navasana, Bhujapidasana, Garbha Pindasana.

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• Upavistha: Seated
• Kona: Angle
• Asana: Pose

Upavistha Konasana B is the twenty-sixth pose of the primary series, and the twenty-first seated pose. It focuses more on balance than flexibility, and on integration of the limbs. Most of the effort is concentrated in the hip flexors and low belly.

FOCUS ON…

This asana takes Upavistha Konasana A and adds the element of balance, requiring additional muscular stability. This is an excellent counterpoint to ‘A’ variation as it teaches the proper action of the legs and spine. That feeling of work should be brought into ‘A’ variation rather than simply ‘stretching’ or sagging forward.

The arms are straight, pulling on the feet. The feet are pressing away from the hands vigorously. This interplay between the limbs creates lift and space in the torso, allowing the spine to be straight and the point of balance to be between the sitting bones and tailbone. The head is back and gaze is down the length of the nose.

Some practitioners have relatively short limbs, allowing them to lift directly into the posture without letting go of the feet. Those with average/longer limbs will need to release their hold on the feet before lifting up.

Vinyasa of the Pose

This pose is entered directly from Upavistha Konasana A.

Inhale, release the grip on the feet, sit upright, and raise the hands to shoulder height. Bring the feet to the hands, and balance. This is the state of the asana; five breaths.

Exhale, maintaining your grip on the feet rock forward and land lightly on your calves. Fold forward fully.

Inhale and sit upright.

Exhale, take vinyasa.

ALTERNATIVES & SOLUTIONS

This asana should feel upright, open, and poised. Do not let the back be deeply rounded. If you feel as though you’re sinking or struggling to sit upright, this is usually due to short or disengaged muscles.

If stiffness is the problem: spend more time in the previous postures. If you’re in a led class environment, try bending the knees.

If you’re simply slouching through this pose: wake up! Cultivate the strength of your limbs, bandha, and breath.

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